The center announced the arrival of the late painter’s self-portrait Wednesday, 104 years after her birth, and said it will remain in Austin through Jan. 8.
With the absence of an expansive stage and over-the-top sets, the viewer is left with much more focus on the actual performance of each character. For the most part, the vocals live up to the challenge, but it’s definitely not the huge production viewers might expect.
Choreographers, visual artists and musicians will come together this weekend to present the second annual Califa Arts Collaborative. The show will run twice each day on Saturday and Sunday.
Written and directed by Pulitzer Prize winner Suzan-Lori Parks, the play centers around familial boundary and control issues, told through the main character’s self-written books.
This Thursday, Austin’s Gallery Black Lagoon plays host to the Poster Cabaret Bicycle Print Show. The print show appropriately comes at the beginning of National Bike Month.
From spontaneous piano playing to rapid-fire creative presentations, this year’s Art Week Austin will incorporate a diverse array of artistic projects.
“Mome 21,” the penultimate issue in editor Eric Reynolds’ impressive run of quarterly, full-color anthologies, is a strong argument for the series’ artistic continuation with the upcoming end to the series with “Mome 22” this summer.
