In the discussion, Shakey Graves described how he nearly signed with a major label, but a bigwig’s bulldog intimidated him into abandoning the meeting.
What do a DNA and software company, famous Austin concert venue Antone’s — of Stevie Ray Vaughan fame — and UT Austin all have in common? Spencer Wells holds a place in his heart for all of them.
After a series of mediocre releases, Moby’s Everything Was Beautiful and Nothing Hurt delivers a sound reminiscent of his early ’90s electro vibes, creating an album that is guaranteed to have listeners crying in the bathtub.
