While Harrelson shines, 'Rampart' stutters By Alex Williams - Updated on February 27, 2012 at 3:17 pm The idea of Moverman re-teaming with Harrelson for an examination of LAPD corruption is a compelling one.
Red carpet fashion duds and delights By Katie Stroh - Updated on February 27, 2012 at 9:36 am Here’s our take on the best and worst dressed at this year’s Academy Awards ceremony.
Oscars remain tame for 2012 season By Chris Nguyen - Updated on February 27, 2012 at 2:36 am Another Academy Awards goes by and just a few minutes after, the show is all but forgotten.
3-D restoration of 'Comin' at Ya!' falls short By Alex Williams - Updated on February 24, 2012 at 2:53 pm When “Comin’ at Ya!” was released back in 1981, its 3D presentation probably left something to be desired.
Why I'm Not Watching the Oscars This Year (And Why You Shouldn't Either) By Alex Williams - Updated on February 24, 2012 at 12:50 am The Oscars have become about studio politics instead about the awarding the content of movies.
Creator Jody Hills crass characters settle in for the final season of Eastbound & Down By Alex Williams - Updated on February 20, 2012 at 9:23 am Old characters return in what promises to be seven last episodes of uproarious hilarity.
"Bullhead" intrigues with interweaving plots, compelling main character By Alex Williams - Updated on February 16, 2012 at 11:57 pm Drafthouse Films made a smart move in picking up the eventual Best Foreign Language Film Oscar nominee.
Pants tailored to fit generation in mid-20s By Diego Vega - Updated on February 15, 2012 at 10:39 pm It is difficult to dismiss a show like “I Just Want My Pants Back,” but it is even harder to praise it.
Jolie hopes her film draws notice to Syria By The Associated Press - Updated on February 15, 2012 at 10:25 pm The fictional tale has shone a spotlight on the ethnic anger still left over from the country’s brutal conflict.
McGs most recent spy movie disappoints despite potential By Alex Williams - Updated on February 13, 2012 at 11:28 pm Many of the problems in “This Means War” can be traced back to its screenplay.
