Every year around this time, the Austin film scene wakes up with stomachs full of pizza and beer as well as minds weary from the injection of cinematic insanity that is Fantastic Fest.
Time travel is tricky. The intricacies of it, the endless possibilities for paradox and timeline diffusion, can wreak havoc on a narrative, and the most brilliant touch of Rian Johnson’s “Looper” is the way it quickly dismisses any in-depth delving into its own logic.
