It’s very rare that two films so completely identical are released on the same day — “The Art of Getting By” and “Submarine” are virtually indistinguishable from one another.
Because of the director’s rigid film-a-year production schedule, some of Woody's films come out desperately in need of a rewrite or two, and some come out just right. Thankfully, “Midnight in Paris” is one of the latter.
Each and every audience member is bound to take something different from “The Tree of Life” simply because of the film’s intensely personal nature, both in style and content.
