As part of the ongoing Cohen New Works Festival, the “Filaments” segment of this week-long exhibition takes a more interactive approach to the creative process.
“The Priceless Slave” navigates treacherous waters by exploring the raw nerves of slavery through the complexities of master and slave, husband and wife, man and woman.
Featuring student-run plays, dance performances, art installations, commissioned pieces of music, outdoor site-specific works and multiple transdisciplinary events, the Cohen New Works Festival offers a wide range of opportunities to see noteworthy innovations by some of UT’s rising creators.
Kaitlyn Aylward, a Masters of Fine Arts candidate in costume design at UT, spent nearly 10 months traveling between New Mexico and Texas asking women of different ethnicities, ages and backgrounds, “What is a good girl? Bad girl?”
In a black and white underworld, a vegan priest named Sesom will be leading seven disciples on a voyage to bring color to their lives in the ballet, “Cult of Color: Call to Color.”
The Strokes striving to return to form with their fifth studio release Comedown Machine. While the album includes some of the band’s best work yet, it feels rushed and contrived overall.
