Raymundo Delgadillo

Art and design students, Regan Hann, Raymundo Delgadillo and Jesse Kinbarovsky will have their art displayed in the Visual Arts Center as part of their senior thesis exhibit.

Photo Credit: Helen Fernandez | Daily Texan Staff

There are not many events where a new video game design and a watercolor painting will be showcased in the same exhibition, but this Friday, the Visual Arts Center will be filled with sculptures, paintings, graphic designs, household designs and other contributions from UT art and design students.

The collective exhibit features the work of 50 studio art, visual art studies and art history seniors in “Wellspring,” 19 design seniors in “Make, Do, and Mend” and five design graduate students in “Playgrounds.”

Manifest Destiny 

Studio art senior Regan Hann’s contribution is an installation with a taxidermy antelope wrapped
in wires. 

“I always like to start with materials, so I will spend a lot of time browsing through piles of old cords and lights and things like that,” Hann said. “I usually make works that show the relationship between technology and the natural environment.”

After graduation, Hann hopes to get a job in art administration. She said this gallery exhibition provided a sense of what to expect from the professional art world come graduation in May. 

“I think it’s a really great way for seniors to dip their toes into the world of having your work out there because it’s hard to get out there and make stuff happen,” Hann said. “This is my first experience with a full-fledged gallery and having my work in the show.”

 

Neo-Craftsmanship Chairs 

Design senior Raymundo Delgadillo decided to concentrate his design degree on product design. For this exhibit, he created a line of neo-craftsman chairs out of wood and one from metal and yarn.

“I was working with curves and forms that are usually used in plastic furniture, and I was trying to transform this wood,” Delgadillo said. 

While Delgadillo’s designs are not related to the 18 others through medium, the design process is what connects all of the projects. 

“We were thinking about what is our methodology rather than what is our outcome, so we all agreed that we make, do and fix things — meaning mend — but also we ‘make-do’ out of what we have,” Delgadillo said. “It just depends on the context.”

 

Wayfinder and others

Like the undergraduate design program, the graduate design program encourages the study of different outlets of design, but the five graduate students featured tend to focus on a single project to commit most of their studies toward.

As a Type 1 diabetic, design graduate student Jesse Kinbarovsky noticed that there really weren’t tools available that would help enrich the lives of diabetics. He is focusing on creating an app and other products that allow users to work with their disease.

“For me, what that ended up becoming was a focus on diabetics and a way to incorporate that physical experience with some of the digital tools we have available to us now,” Kinbarovsky said.

Kinbarovsky said he found it frustrating that diabetics use their blood testers many times a day, yet the devices in the market are surgical and impersonal. He created the Wayfinder blood tester, which is made of wood that will mold over time to the hands of the owner. The blood tester has no display and uses different colors of light and sound to convey blood sugar levels, a method more pleasant than numbers. 

“You test your blood and get a light,” Kinbarovsky said. “There is a soft glow that indicates if your blood sugar is low, correct or high. What’s interesting about the colors is that they are associated to emotions.”

All of the graduate designs work to improve the way different systems function. 

“If you look at the different things in the show, we’re taking systems we think are wrong, inappropriate or not very consciously constructed. We’re taking another look at those and trying to push the system in another direction,” Kinbarovsky said. 

A Nation of Fear is on view at the Visual Arts Center through November 10. (Photo courtesy of the artist)

Capturing the violence and destruction of the drug war on the US-Mexico border, “A Nation of Fear” seeks to inspire thought. Coordinated by UT student art group Center Space Project, the exhibit features the work of three Mexican-American artists Miguel Aragón, Adriana Corral and Raymundo Delgadillo. Rather than focusing on the shock value of the violence, the artists subtly convey the gravity of the violence in Mexico.

With nearly 50,000 victims, the drug war along the border continues to escalate. Using the idea of human remains to represent the victims lost, the artists subtly draw attention to the impact the drug war has on the people of both nations.

Corral transferred the printed names of murdered victims from papers to the wall and burned the remaining paper. The ashes are arranged in a rectangle that represents the standard burial plot of a victim. Delgadillo created serigraphs of different drugs using animal blood to represent the blood lost in the drug war.

“I started working with blood because it was very raw, but I wasn’t interested in using it for shock factor,” Delgadillo, the coordinator of the exhibit and featured artist, said. “I wanted people to think about what blood really meant. It’s when someone is damaged, when someone is wounded.”

Born in areas now plagued by crime and drug traffic, the artists explored the way the crimes of the cartels have changed their homeland. Delgadillo has seen his once peaceful childhood neighborhood in San Louis Potosi torn apart by the violence.

“The city that I am from used to be very peaceful, and every time I talk to my family they tell me about more shootings and narco messages delivered close to the areas they live,” Delgadillo said. “It used to be a really peaceful city, so to see that years later is very shocking.”

The Mexican media is dominated by graphic scenes of mutilated bodies, drug crimes and narco mensajes. Attempting to bridge the divide between the U.S. and Mexico, the artists beautifully recreate and incorporate scenes of death and destruction into their pieces. The works themselves are very quiet, but they represent a much more powerful and emotional subject.

The opening of the exhibit on Friday featured a panel of experts that contextualized the violence portrayed in Chicano culture and art.

“All the works in the exhibition have so many layers for interpretation, so the panelists gave really good insight into how the social issues — cartels, drugs, immigration — are involved,” Luis Vargas-Santiago, Ph.D. candidate in art history at UT and the panel’s moderator, said. “But they also gave insight about the materials. I think it served to put those in context.”

The panel explained how the exhibit features a new genre of art referred to as border art. This genre combines elements of both U.S. and Mexican culture to portray the attitude of those caught in the crossfire.

“The aesthetic of this border art is very violent,” Vargas-Santiago explained. “The pieces in the exhibition describe this violence through subtle and sometimes minimal strategies. The way they treat it is very conceptual.”

The exhibit uses the conventional beauty of the art to explore the atrocities of the drug war. The work itself is simple, and often the explanation of the piece can only be found in the label.

“It’s quiet. The work is interesting because it’s addressing violence, horrendous acts of violence. It’s dealing with the media portrayal of this violence in Mexico,” Maia Schall, president of the Center Space Project, explained. “So all these issues are very tough issues, but the work is extremely delicate and detailed. Its an interesting contrast — to be talking about violent issues with a quiet voice, a somber and poignant voice.”

Hoping to inform fellow students and Austin community members, “A Nation of Fear” uses the powerful images of those affected by the drug war to portray the reality of the border.

“I want it to be evocative instead of provocative,” Delgadillo said. “I want people to think about it, not to be shocked.”

Printed on Monday, October 22, 2012 as: Exhibit displays violence of drug war