OpenCalais Metadata: Latitude: 
OpenCalais Metadata: Longitude: 

Editor’s note: This Q&A has been edited for clarity and brevity.

Melbourne, Australia-based Twerps released their second full-length album Range Anxiety in January and will perform at the Panache party at the Hotel Vegas Patio on March 20 for South by Southwest. Here’s what Julia MacFarlane, the band’s guitarist and vocalist, had to say on the band’s influences, writing and SXSW hopes.

The Daily Texan: What were you aiming for with the release of Range Anxiety?

Julia MacFarlane: I think we were aiming to survive the process. But we had a new member, so we were just trying to figure ourselves out as a band again and figure out those dynamics. I think it was more an interior thing that was going on and maybe less spoken about. We had some chats about having an instrumental track or making it very collage-like, but it ends up how it ends up.

DT: How did you originally meet and form a band? Why did you bring on another member?

JM: Rick Milovanovic (former bassist) and Marty Frawley (lead vocalist and guitarist) met because they worked in a video store together. Marty started Twerps with a couple of his friends, who I knew as well. We did some songs together and put them up on Myspace. I really wanted to play in the new band and they let me. Patrick O’Neill (former drummer) left, which was sad, but it was getting to a point where we had different ideas about different things. Our new member Alex Macfarlane (drummer) is a songwriter, so it was cool to have someone else in the band who has a creative voice. It was a decision to step it up creatively.

DT: How would you explain your music to someone who’s listening to you for the first time?

JM: Well the simplified version would be a guitar-pop band, but if the person knew about music or had similar tastes as mine, I would maybe say it’s pop songs with some focus on instrumentation. I might say one of our influences is The Velvet Underground. That might help.

DT: On your most recent album, a lot of the songs were more upbeat and happy. It’s easy to get through. Do you think that, at times, that could take away from your message?

JM: I do think it’s important to communicate to people that something more is there. Reviews often say our music can be easy-breezy, and I think, ‘Is there something that we’re failing to do?’ If people aren’t picking up on that, you’re, in a way, failing. It can’t be just for you. There are a lot of songs about texture, the guitar parts and rhythms, but some are serious. I actually read a review of “Shoulders,” a song I sing in, and the person thought it was a laid-back summer tune. I felt completely opposite about that song; I think it’s so fucking heavy.

DT: You guys have been to SXSW before. What do you think will make this years’ experience unique?

JM: We’re doing a show a day, whereas last time, we did sometimes several a day. You feel so fried afterward, but it’s so fun. I’m looking forward to playing the Panache party. I haven’t looked into who else is going to be there, so that’ll be a surprise.

Up-and-coming indie rock group The Twerps will be opening for Real Estate tonight. Originally from Melbourne, Australia, the group is currently on their first ever U.S. tour. (Photo courtesy of Angaline Atkins)

Melbourne, Australia’s The Twerps are all about pop — their jangling, soak-on-the-beach guitars reminiscent of ’60s surf rock. Accompanied by luscious harmonies from frontman Marty Frawley and guitarist/vocalist Julia MacFarlane, the music rides on indie-pop jubilance and sends listeners into an euphoric dance frenzy. Their self-titled LP, released last year, attests to that. Its intricate guitar melodies are mesmerizing and memorable.

Looking forward to their Austin performance with band Real Estate, The Twerps’ Marty Frawley spoke via email with The Daily Texan about Melbourne hot spots, recording their self-titled LP and future plans.

The Daily Texan: How did the group come together?
Marty Frawley:
Rick [Milovanovic, bassist] and I met at a video store we worked at, and he showed me a great deal of good music and also turned me away from a lot of the crap I was listening to. We didn’t try and write a song together ’til about four years later. After we made our first little number, we asked Pat [O’Neill, drums] to play drums, and then Julia joined. It has been a fun ride. We all try and look out for each other and make sure everyone’s digging it.

DT: You guys are currently on your second U.S. tour. How has it been so far, and how was your South By Southwest experience? Any crazy memories or noteworthy night tales?
This tour with Real Estate has been heaps easier and heaps more fun. It’s nice traveling with others and having people to show us the ropes. They are the best. We played SXSW last year and did most of the major cities, but we did do it on our own which was a little tough. It definitely made us stronger. SXSW [this year] was hectic. Lots of drinking, tacos and shows. I see why people go and do it, but for us it was a bit much. We ain’t that type of band — we like to keep it
real chill.

DT: How was it recording your self-titled album with Jack Farley, and was it difficult transitioning from the lo-fi recordings you guys started off with to going into a studio?
I don’t think it was entirely necessary, but it was a good experience. I think it’s always good to try new things and keep it fresh. [It was difficult] a bit, I guess. We didn’t really find it that difficult as Jack is one of our tight friends, and he knew what we wanted to do. So he just walked us through the stages and tried to highlight things we needed to do. Jack is the best. He knew what he should highlight in our sound and we are all really stoked with what we have achieved.

DT: Your songs are super catchy; I definitely dig it. What are some influences that helped direct the sound you all were going for?
We all have a pretty eclectic taste in music, but after our last tour of the states, we came home with a really strong idea of wanting to sound like us. We also aren’t brilliant musicians so we are slightly limited, but I’m glad you like our tunes. My dad always used to say “Keep it simple stupid,” but we like a large catalog of Australian and New Zealand bands, as well as a lot of other guitar pop. We just want to sound like [indie rock band] The Go-Betweens, basically.

DT: Considering you guys are from Melbourne, where should a tourist go to get the full experience of what Melbourne is all about?
Come to my work — Julia and I work there and we will play you some cool tunes and serve you beers. It’s called Hell Kitchen. There is a really good music scene in Melbourne with heaps of cool pubs. I guess if you wanted to party, you could go to Fitzroy. If you wanted to see the sea, you could go to St. Kilda, and if you felt like being heaps bored, you could go out to Glen Waverley.

DT: Lastly, what can we expect from you guys next before the year ends? Any new recordings or just touring?
We are sorting that out on this tour, but we got a bunch of new songs so we’ll have to record them, and then sift through the ones we like and try and get a record out. We are keen to do something soon. We will also hopefully get to Europe and the U.K., and then back here, so hopefully you’ll be seeing a lot more of us. 

Music Monday

It’s been nearly two years since the release of YACHT’s last album, See Mystery Lights,but if front man Jona Bechtolt’s recent Twitter feed is any indication of the band’s activity, YACHT has never been better. The Portland-Marfa-Los Angeles collaboration makes idiosyncratic synthpop and has toured with LCD Soundsystem and the Yeah Yeah Yeahs. Austin-based electronic dream poppers Love Inks open the night.

A lot has changed since Melbourne-based band Cut Copy released their first full-length album, Bright Like Neon Love, in 2004. Whereas their first release was a dreamy, feverish venture into electronic dance music, 2011 album Zonoscope was the band’s clearest and most precise vision yet. Zonoscope finds the band leaning more toward electronic rock ‘n’ roll, although the result is no less satisfying. Like-minded electropoppers Holy Ghost! open up the night with their brand of DFA-approved Italo-disco jams.

No rap album in 2010 drew as much vitriol and praise at the same time as Curren$y’sPilot Talk II. With appearances and samples from Big K.R.I.T., Raekwon and Erykah Badu, Pilot Talk II was spacious and contemplative for a rap album — something that wasn’t completely lost on fans of the burgeoning “stoner hip-hop” canon that includes Wiz Khalifa and Smoke DZA.

Although electropop might have reached its peak as bands such as MGMT and hot messes like Uffie took to the charts, there’s always been something consistent and timeless about French electro-dance group Yelle. Four years in the making, their upcoming album, Safari Disco Club might be a little darker than their bubbly 2007 debut, Pop Up, as evidenced by recent single “La Musique.”